Dream with your eyes closed. Try and pluck the pearls from your bones. -Razia's Shadow
My name is MK and I like a lot of stuff and have a lot of feelings, okay?

<Fuck No Kingdom Hearts Sues
Fuck Yeah Anti-Sora
Fuck Yeah VanitasxAqua
<Ask Sophie Bennett

marielikestodraw:

dirtydirtychai:

asexual-not-a-sexual:

Here are some reaction badges for when people troll you with their bullshit and ignorance.  

These are glorious. 

Ahahha perfect

vicious-violet: foervraengd: elliotoille: felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go… Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases. I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall. The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does. here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line. It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line. Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box. Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher: You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect. I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment: The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip. Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol. For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it. So yeah. Read this. Please. It’s so easy explained. Get on my blog, useful information.

vicious-violet:

foervraengd:

elliotoille:

felt like doing a tutorial thingy (what should I call these??) again! I think I’ll make a tag for these in case I do more. This time I’m gonna talk a little about how angles affect how clothing falls aaaand stuff. here we go…

Given: The first drawing of these three is how the clothing naturally wants to fall, how it is made to be shaped. Or, whichever pose you could take that will give the garment the least amount of creases.

  • I’ll actually talk about the green first; this is a representation of the hip box, which itself is a representation/simplification of your whole pelvis area. You see how your legs and hip box oppose angles here. in almost all poses except standing straight, your hip box and legs will create a bent angle, which affects how clothes fall.
  • The red/blue is the skirt (obvs), the red specifically is the ellipses of the top and bottom openings of the skirt. This skirt is very stiff material for the sake of this example, so notice how the two ellipses always match eachother. the top ellipse is where the skirt is actually attached to the body, so it’s the boss; the bottom ellipse will more or less do exactly what the top one does.
  • here’s where the fact that the legs and hip box are at different angles becomes important. The top of the skirt is attached to the hip box, but the bottom ellipse is in the realm of the legs. The orange lampshade shape diagram there is a simplification of this. It is very much like if you were to tilt a lampshade. The side you are bending towards will hug the body and create creases. The side you are bending away from will fall off the body in a straight line.

imageimage

It even works with pants, though as the bottom ellipse(s) gets farther away from the top there’s more room for the garment to get distorted by gravity, perspective, and bent knees and such. But with this last example you can really see how the side touching the legs really hugs the body underneath, whereas the other side hangs off of it in a straighter, crease-less line.

Dresses are a little different because their top ellipse is attached to your torso/ribcage mass rather than the hip box.

image

Much of the time you get the same result as with a skirt. However if the hip box and ribcage mass are opposed sideways rather than forward or backward, it becomes a little tougher:

image

You can see in the third drawing how a shirt and a skirt together would fall in opposite ways if your body is bent sideways. If the shirt is long, just like I mentioned above about the long pants, there is more distortion of this effect.

I’ll take what I said above, “The side you are bending away from will fall off the body in a straight line”, and add a bit to the end: “… until it hits something.” In the fourth drawing above, the garment is falling off the body in a straight line on the right side. If you lengthen the garment:

image

The straight side continues down as normal until it hits the leg and becomes the body-hugging side. in response to that, the body-hugging side from farther up becomes the straight side when it falls off the hip.

Aaand with that I think I’ll stop lol. I hope that wasn’t hard to understand. It’s easy to do yourself, just wear a skirt or some loose pajama pants and take hula poses in the mirror lol.

For all of you who have been longing for ME to make a tutorial about clothes, I truly recommend you to read this post. Since it covers the area in clothing that many other tutorials never mention, clothing is more than just “drawing folds and wrinkles”, it’s about knowing how the design and the behavior of our bodies affect it.

So yeah.

Read this. Please. It’s so easy explained.

Get on my blog, useful information.

buellet:

i like playing with skin tones so maybe this’ll help a little (◕‿◕✿)

vegasmo: Always good advice, eff pesticides.

vegasmo:

Always good advice, eff pesticides.

(Source: superfannypack)

aerophonophiliac: I have a story to go along with this. My 6th grade English teacher was insane. Like, certifiable, I’m fairly certain. She was nice enough, but she was crazy as shit. One day, about February-ish, we come to school and she’s standing outside of her classroom (like she did every day between classes) wearing all black and sobbing into a kleenex. Naturally we were worried. I had her 3rd period, I think, and I remember all of the classes were sworn to secrecy about what the fuck was going on. When we got there, she had candles all over (against the school rules, but hey, who gives a flying fuck, right?), all the lights were out, and there was a tiny coffin up at the front of the room, right in front of the blackboard. (Yes, that classroom had a blackboard. Cower before my antiquity, younglings.) Okay, so that ruled out any of her family members being dead. Once we’d all gotten settled into our seats, she came striding in, still tearful and noisy, to announce: “S-s-s-said is DEAD!” What the ever-loving shit, Mrs. Hester. What the ever-loving shit. The rest of class was a dramatized funeral (read: we had to write essays and read them in front of the class) and the announcement, heralded by these sheets, that we were not allowed to use the word “said” any more, as it had passed away. Apparently she does this every year. I fucking love this woman

aerophonophiliac:

I have a story to go along with this.

My 6th grade English teacher was insane. Like, certifiable, I’m fairly certain. She was nice enough, but she was crazy as shit.

One day, about February-ish, we come to school and she’s standing outside of her classroom (like she did every day between classes) wearing all black and sobbing into a kleenex.

Naturally we were worried.

I had her 3rd period, I think, and I remember all of the classes were sworn to secrecy about what the fuck was going on. When we got there, she had candles all over (against the school rules, but hey, who gives a flying fuck, right?), all the lights were out, and there was a tiny coffin up at the front of the room, right in front of the blackboard. (Yes, that classroom had a blackboard. Cower before my antiquity, younglings.)

Okay, so that ruled out any of her family members being dead.

Once we’d all gotten settled into our seats, she came striding in, still tearful and noisy, to announce:

“S-s-s-said is DEAD!”

What the ever-loving shit, Mrs. Hester. What the ever-loving shit.

The rest of class was a dramatized funeral (read: we had to write essays and read them in front of the class) and the announcement, heralded by these sheets, that we were not allowed to use the word “said” any more, as it had passed away.

Apparently she does this every year.

I fucking love this woman

Smut Guides of Tumblr

writeworld:

This list is meant to supplement our Towel on Sex Scenes.

We will add to the list as the guides present themselves.

Did we miss yours? Send us a link!

-C

upbeatmisanthropist:

minatokiiroisenko:

laughwithoutworries:

lawlietshoujo:

sassy-tail:

holy dicks, that’s useful

reblogging for future reference

reblogging for future essays

reblogging for future roleplays

mmmmhello there useful chart

(Source: artandalcohol)

helpyoudraw:

here’s a flash tutorial about coloring semi anime/realism

100 Exquisite Adjectives

wellatleastyourenotahipster:

transvestitesemicolons:

Adamant: unyielding; a very hard substance
Adroit: clever, resourceful
Amatory: sexual
Animistic: quality of recurrence or reversion to earlier form
Antic: clownish, frolicsome
Arcadian: serene
Baleful: deadly, foreboding
Bellicose: quarrelsome (its synonym belligerent can also be a noun)
Bilious: unpleasant, peevish
Boorish: crude, insensitive
Calamitous: disastrous
Caustic: corrosive, sarcastic; a corrosive substance
Cerulean: sky blue
Comely: attractive
Concomitant: accompanying
Contumacious: rebellious
Corpulent: obese
Crapulous: immoderate in appetite
Defamatory: maliciously misrepresenting
Didactic: conveying information or moral instruction
Dilatory: causing delay, tardy
Dowdy: shabby, old-fashioned; an unkempt woman
Efficacious: producing a desired effect
Effulgent: brilliantly radiant
Egregious: conspicuous, flagrant
Endemic: prevalent, native, peculiar to an area
Equanimous: even, balanced
Execrable: wretched, detestable
Fastidious: meticulous, overly delicate
Feckless: weak, irresponsible
Fecund: prolific, inventive
Friable: brittle
Fulsome: abundant, overdone, effusive
Garrulous: wordy, talkative
Guileless: naive
Gustatory: having to do with taste or eating
Heuristic: learning through trial-and-error or problem solving
Histrionic: affected, theatrical
Hubristic: proud, excessively self-confident
Incendiary: inflammatory, spontaneously combustible, hot
Insidious: subtle, seductive, treacherous
Insolent: impudent, contemptuous
Intransigent: uncompromising
Inveterate: habitual, persistent
Invidious: resentful, envious, obnoxious
Irksome: annoying
Jejune: dull, puerile
Jocular: jesting, playful
Judicious: discreet
Lachrymose: tearful
Limpid: simple, transparent, serene
Loquacious: talkative
Luminous: clear, shining
Mannered: artificial, stilted
Mendacious: deceptive
Meretricious: whorish, superficially appealing, pretentious
Minatory: menacing
Mordant: biting, incisive, pungent
Munificent: lavish, generous
Nefarious: wicked
Noxious: harmful, corrupting
Obtuse: blunt, stupid
Parsimonious: frugal, restrained
Pendulous: suspended, indecisive
Pernicious: injurious, deadly
Pervasive: widespread
Petulant: rude, ill humored
Platitudinous: resembling or full of dull or banal comments
Precipitate: steep, speedy
Propitious: auspicious, advantageous, benevolent
Puckish: impish
Querulous: cranky, whining
Quiescent: inactive, untroublesome
Rebarbative: irritating, repellent
Recalcitant: resistant, obstinate
Redolent: aromatic, evocative
Rhadamanthine: harshly strict
Risible: laughable
Ruminative: contemplative
Sagacious: wise, discerning
Salubrious: healthful
Sartorial: relating to attire, especially tailored fashions
Sclerotic: hardening
Serpentine: snake-like, winding, tempting or wily
Spasmodic: having to do with or resembling a spasm, excitable, intermittent
Strident: harsh, discordant; obtrusively loud
Taciturn: closemouthed, reticent
Tenacious: persistent, cohesive,
Tremulous: nervous, trembling, timid, sensitive
Trenchant: sharp, penetrating, distinct
Turbulent: restless, tempestuous
Turgid: swollen, pompous
Ubiquitous: pervasive, widespread
Uxorious: inordinately affectionate or compliant with a wife
Verdant: green, unripe
Voluble: glib, given to speaking
Voracious: ravenous, insatiable
Wheedling: flattering
Withering: devastating
Zealous: eager, devoted

source
I challenge you to use five of these in your NaNo word count for today.

(Source: )

thisgrrlwithhands: Answer all these questions and you should have a fully-developed character for your audience to connect with. A strong character can carry a weak plot; but a strong plot can’t carry weak characters

thisgrrlwithhands:

Answer all these questions and you should have a fully-developed character for your audience to connect with.
A strong character can carry a weak plot; but a strong plot can’t carry weak characters